Identification method of glaze red in Yuan Dynasty

The process of glaze red is exactly the same as that of blue and white. The transparent glaze of the glaze is painted at a high temperature. The difference is that the blue and white cobalt is used as a coloring agent, and the red glaze is used as a coloring agent. .

The glaze red found in the Yuan Dynasty can generally be attributed to these characteristics: the fetal bone is generally thicker than the blue and white in the same period, and there are more white dragons in the early stage, and there are white tires at the end of the Yuan Dynasty. The objects saw obvious turning marks and tire marks. The early pale blue or grayish white glaze of the glaze layer has high transparency and a glassy texture. At the end of the Yuan Dynasty, the egg white glaze was light red oily white glaze, and the transparent white glaze on the large blue and white porcelain was not seen. The color is unstable, the light red, red and deep red are mixed with gray, and there are different degrees of halo. Mostly found on the edge of copper red material. Because the firing temperature is too high, most of them have a burning condition.

The decorative process of the glaze in the glaze of the Yuan Dynasty is far behind the blue and white in the same period. In the early glaze red, the method of smearing was used. Some of them were first embossed on the tires and then filled with red outside the ornamentation to form red and white flowers, and some were filled with red on the stencils to form white safflower. As for the glazed red in the line drawing, it is a late work, and the time is about the end of the Yuan Dynasty. These lines are adorned with red glaze, and the technique is also very simple. It is basically a method of sketching and simple dyeing.

In the glaze, as the heat of the blue and blue flowers lasts for a long time, the red glaze in the glaze becomes the heat of the heat, and a large number of imitations appear. According to some articles in the press, the articles are mostly unreliable. These imitations are strictly different from the real ones, but there are several places where special attention can be paid.

The fetal bone is too delicate; the bottom surface is not clear or some people make kiln red; the glaze is gray, rough, dirty or dry, and there is no translucent moisturizing feeling. The red color in the glaze is dark red or iron red, too uniform. There is no grayish or mossy green, and there is no burning condition; some imitations use other coloring agents, and the hair color is different from the glaze red; some of the patterns are made of Ming and Qing porcelain, and some are imitation to the positive type of blue and white. But so far, it can no longer be designated as the glaze red in the Yuan Dynasty. It is not the same as the painting method of the same large-scale blue-and-white porcelain. Some of the questions "Da Yuan's certain year system" are all made.

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